1927: The
silent era of cinema was beginning to fall and a whole industry was forced to reinnovate
itself and start from zero on how sound could integrate the films.
The Jazz Singer was the first film to
sync audio and image. This meant that for the first time you could
actually see a music performance that wasn’t live; up
until then you could only hear your artists, see a picture of how he looked
like or be lucky enough to see them live
1930: The Spooney Melodey series were the first to introduce the
concept of short-films mixing live-action footage of the performer. It was
shown at the movie theaters before the main presentations.
1958: Scoptione - A
jukebox that played 16mm film synced with audio (technology invented for the
WWII) was the rage of the 60s. In questions of film language the scpotione brought
a very interesting dimension to the table and is heavily linked to the the
video era and small screens. We see almost no wide angle shots and instead
focus on more medium to close-up shots of the artist playing, something that
had to be planned since the screen will be crammed in a corner with lots of
people around it.
1965-1974: With
film technology and 16mm getting a little bit cheaper and more accessible, the
growth of broadcast television and consequently the rise of pop culture the
late 60s and early 70s was a time of exploring all these new phenomenoms as a
way to promote the music artist.
Considered to be the first music video to
broadcast on television. The Beatles were already making some very popular full
feature movies and were looking for a way to promote their record releases
without having to make in-person appearances (primarily the USA). The concept
is fairly straight forward and was meant to blend in with the television shows
that were being made at the time.
![]() |
| The Beatles - We can work it out |
1974-1992: The
endless possibilities of video revolutionises how
music video are made and open up a door for endless possibilities. Together
with the creative opportunities a whole new platform rises to once and for all
kill the radio star.
The first music video aired on MTV
prophesizes the impact that it will have in the music industry. Music
videos become one of the main platforms for new artists to gain attention and
for consolidated artists to show their latest works. The DIY video approach
that initially inundated the MTV in the early 80s soon fade toward huge
production budgets and an era where music video cost more than feature films.
![]() |
| The Buggles - Video killed the radio star |
1992-2004: Almost
10 years after its launch MTV in November 1992 began listing directors
with the artist and song credits reflecting the fact that music
videos had increasingly become an auteur’s medium. Directors like David Fincher
(that in the 80s were making music videos) focus on directing feature films
while a whole new breed of young and talented directors take the scene
to express their unique vision.
2005 – now: Although
you could find music videos on the internet since 1997 it was in 2005
when Youtube
launched that the whole music industry had to change. Paired with the fact
that MTV by mid-2000s largely abandoned showing music videos to air reality tv
shows, Youtube
became the home for artists and directors to explore new concepts and
reach out to a worldwide audience.
Due to quality of image going up and
prices of digital cameras
going down, so many videos were produced and the sheer mass of new videos
released each day made it even more important to figure out narrative and
commercial ways to reach the audience.



No comments:
Post a Comment